I’m a non-scripted television editor with over 20 years of experience shaping story-driven content across major cable and streaming platforms. I specialize in crafting compelling, character-focused narratives in fast-paced environments, with a strong emphasis on pacing, clarity, and emotional impact.
I began my career at MTV Networks in 2001 as an intern and quickly worked my way up to Production Assistant, Associate Producer, and eventually Producer. During that time, I worked on a wide range of programming, including Diary, Made, Sex2K, Ultra Sound, and the Uncensored series, as well as specials like Teen People’s Hottest 25 Under 25 and Mariah Carey: Through the Rain. I also had the opportunity to work both in the field—as a shooter and director—and in post, where I developed my skills in story producing and editing.
After additional work across VH1 and MTVU, I transitioned into freelance editing, starting with a long run on My Super Sweet 16. Since then, I’ve edited for a variety of networks, including Bravo, Lifetime, A&E, TLC, and Discovery Channel, working across docu-series, lifestyle, and competition formats.
My credits include long-running series such as Say Yes to the Dress: Atlanta, Diesel Brothers, Master Distillers, Moonshiners, Master Distiller, Wrench’d, Double Divas, and My Super Sweet 16. I’ve spent much of my career working on multi-season shows, helping shape tone, structure, and character arcs over time.
Over the past decade, I’ve built strong, ongoing relationships with production companies like Magilla Entertainment and NorthSouth Productions. These long-term collaborations reflect my ability to consistently deliver high-quality work, adapt to evolving creative needs, and be a reliable part of the team.
Since 2017, I’ve been working remotely from Connecticut, collaborating seamlessly with post teams across the country while maintaining the same level of creative and technical execution.

While I have some experience working with Final Cut and Premier, Avid has been the primary editing software I have used since the early days of MTV.

Thanks to my background as a producer, I consider myself more than a gloried button pusher. Whether I’m editing a show about a young woman finding that perfect dress, two men trying to build a badass truck or a defendant taking the stand, I’m a storyteller.

As mush as I fear that AI will one day take my job, I have learned how to use AI for my job, specializing using NightCafe. I’m also proficient in Photoshop.